(They/Them) is one of the Co-Artistic Directors of Redtwist Theatre. They began their career as a stage hand in Atlanta, Georgia, working on everything from Shakespeare to new works. They received their MFA in Directing from Ohio University in 2021. Notable productions include: Steve Yockey's Wolves at Redtwist and Pluto at Ohio University; William Shakespeare's Macbeth at Three Crows and Ohio University; Tracy Letts' Bug at Ohio University; Stephen Sondheim's Sweeney Todd at DramaTech in Atlanta; Uffizi at Bottled Lightning in Atlanta; and Neil Simon's Barefoot in the Park at Vox Populi Productions in Chattanooga.

(He/Him) is honored to do what Ira Aldridge did and add to Aaron’s story. Big props to James Lewis and Markari Robinson McNeese for accepting the charge. He thanks Redtwist for bringing him along for the ride. Actor first, Jordan has collaborated with MPAACT, Court Theatre, Remy Bumppo Theatre Company, Theatre L’Acadie, The Nashville Shakespeare Festival, and Montana Shakespeare in the Parks, just to name a few.
“He dies upon my scimitar's sharp point that touches this my first-born son and heir!” - Aaron

(She/Her) was born in Memphis, TN, where she appeared in The  Raisin the Sun. In Indiana, she also appeared in the debut production of ...before I wake…, and To Kill a Mockingbird before moving to the windy city in 2017.  Here in Chicago, she continued her acting training at BLACKBOX Academy.  And, she recently performed Isabelle in Measure for Measure with The Shakespeare Project of Chicago.  

She is afraid of escalators, treadmills and those walking sidewalks at the airport. Andie still uses them because FEAR CANNOT WIN! Small victories are still worth winning. She is so grateful and happy to have worked with these incredible casts and creative team at Redtwist.  

(He/Him) is an award winning Chicago based designer who has collaborated on multiple regional, national, and international productions. His work has been recognized by multiple awards organizations including the Joseph Jefferson award for Best Scenic Design, and The Lou Awards, and most recently he was awarded the Conda Award for Excellence in Scenic Design for his production of Mary Poppins in Newcastle, Australia. He has designed over 90 productions for theatres all over the Chicagoland area, regionally, nationally, and internationally.  You can see more of his work on www.ericluchen.com

Recent credits include: After Pinocchio: A New Musical (NYC) School of Rock, Mary Poppins (Newcastle, NSW Australia), Elephant and Piggy: We Are in a Play (Marriott Theatre - Lincolnshire, IL), The Addams Family (Metropolis Performing Arts - Arlington Heights, IL), Newsies (Quincy Theatre - Quincy, IL) The Cottage (Citadel Theatre - Lake Forest, IL), Godspell, Seussical (State Theatre - Uniontown, PA). Eric is a member of USA 829.

(They/She) Stage Management: Wolves (Redtwist Theatre) Spamalot, Big Fish, A Chorus Line (The Theatre Lab; Washington, D.C.), The Hunchback of Notre Dame (Ohio Valley Summer Theatre; Athens, OH). Educational: Krapp’s Last Tape, Angels in America Part One - Millennium Approaches, Pluto. Production Management: Bottle Fly, The Normal Heart (Redtwist Theatre). Raine holds a BFA in Stage Management from Ohio University and an MLIS from Dominican University. When not at Redtwist, they live a double life as a librarian at Chicago Public Library, and yes, they are also perplexed by their choice to do yet another Dusty Brown blood show.

(They/He) has spent most of their career supporting queer and trans folks in a variety of initiatives––social programming and outreach, grant writing, non-profit management, strategic planning, and political advocacy. Recently, they've been leading development for Gender Fucked Productions and has been seen working Front-of-House at the Apollo Theatre and the Goodman Theatre. Additionally, their previous roles at Northwestern University specialized in grants management, project management, event coordination, and administrative support. Right now, they are most passionate about the overlaps in Black, trans, and disability justice work in the arts, philanthropy, and grassroots organizing. They hope to help build as many bridges as possible by connecting arts producers to the resources, knowledge, and strategies that will sustain them. Coalitional work is where the magic happens! Eliot frequently volunteers for organizations like the Crossroads Fund, the Lighthouse Foundation, Mishkan Chicago, and Reeling: The Chicago LGBTQ+ International Film Festival. Creatively, they are fascinated by the people, events, and memories that haunt us. How might listening to these ghosts help us create new, impossible futures?

(He/Him) Originally from New Bedford, MA, Korey believes the future of the American Theatre is accessible to all people, and hopes to use his MFA from The Theatre School at DePaul University to help make it happen. In addition to being a dramaturg, he also directs, produces, consults on matters of disability and access, coaches, and acts through BMG Talent. Korey was the Founding Executive Artistic Director of both The Glass Horse Project (now Reverie Theatre Group) and Shakespeare in New Bedford (now in its ninth season on the southern coast of MA). Currently, he serves as Associate Artistic Director of Circuit Theatre Co. He's in awe of all the wonderful artists whose brilliance and vulnerability made this production possible, both on-stage and off. He sends infinite love to Mom, Brian, Anne, & Nikki. Gratitude beyond measure to Martine Green-Rogers. Special thanks to those who always listen to him talk about Shakespeare (it's frequent, they deserve this): Chris, Nicole, Lavina, Kate, Reji, Steph, Em, Sam, Sarah, Genevieve, Jess, & Aurelia.

(She/Her) is a Chicago-based Costume Designer, Stylist, and Wardrobe Technician. She is an Adjunct Professor and manages the Costume Shop at Columbia College Chicago. She has also served as the Costume Shop Manager at Dominican University and Lookingglass Theatre Company. Recent design credits include: Don't Quit Your Daydream, Best Kept Secret (Second City Chicago); Songs for a New World, The Addams Family (Dominican University); The Last Five Years, The Drowsy Chaperone (Metropolis PAC); Scarcity, The Cripple of Inishmaan, Elling (Redtwist); At Home at the Zoo, Confederates in the Attic, Peyton Place (City Lit). She has also served as a designer and faculty member with the National High School Institute at Northwestern University (Cherubs). kClare is a proud member of IATSE Wardrobe Local 769. www.kClare.com

(She/Her) is a Jeff Award nominated lighting designer. Previous work includes- We Are Proud to Present... at Theatre Y, Wolves and The Great Kahn at Redtwist Theatre, Tick, Tick... BOOM! at BoHo Theatre, Beauty Queen of Leenane and Macbeth at Three Crows Theatre, Hurricane Diane at Theatre Wit, 8-Track and Once Upon a Mattress, at Theo Ubique Cabaret Theatre. She is also an IATSE lighting technician touring with productions such as Bluey’s Big Play, the first national tour of Company, and Dr. Seuss’ How the Grinch Stole Christmas! The Musical. You can find more of her previous work and find upcoming projects at piperlighting.com.

(They/He) is a Chicago based Props and Production Designer, and is so excited to get gruesome with this killer team! Recent work includes feature productions Good Guy With A Gun, Pools, and Lucy is a Loser, and award winning short films Room Rodeo, and Yümmy Cusine. Chicago theater credits include James and the Giant Peach, Don’t Let the Pigeon Drive the Bus (Marriott), The Flying Lovers of Vitebsk (Northlight Theater), Bottlef Fy (Redtwist) and scenic carpentry across the city. In addition to theater Leo is and avid ttrpg player, and cat dad to two orange gremlins.

www.leo-bassow.com

(She/Her) is honored to join her friends at Redtwist again this season. A director, producer, and intimacy director, Erin has called Chicago home for 7 years. As co-Artistic Director of Theatre L'Acadie, Erin is a lead producer of new play development series like Inc. - A New Play Incubator, and the In Bloom New Works Series. As a director, recent production credits include The Swan (Theatre L'Acadie) and Grey Gardens (Big Noise). Previous Intimacy Direction credits include Bottle Fly (Redtwist), Right Now (Facility), Pilot Island (Imposters), and The Delivery (Trap Door). Her work has also been seen with Rivendell Theatre Ensemble, Artemisia, Possibilities, and others. See what's next in 2025 by visiting erinesheets.com!

(She/Her) Originally from Nebraska, Mer has been in Chicago for over 12 years, and if you can believe it, this is her first time working with the wonderful folks at Redtwist. Nothing makes her happier than diving into Shakespeare play she's unfamiliar with, and TItus is one of the biggest and most challenging adventures yet. Thank you to the extremely talented cast and crew for an incredibly welcoming room and their incredibly thoughtful work. May we all continue to find the humanity and beauty as we navigate the brutality of the world. Love to my husband Ian and to my buddy Josh.

(He/Him) is a combat choreographer, actor and teacher. He is an Associate Instructor of actor/combatants with Dueling Arts International. Michael teaches stage combat at College of DuPage and mask performance at DePaul University. He is a core company member of Chicago’s Proboscis Theatre Company. Michael has choreographed violence for Northwestern University, Roosevelt University, College of DuPage, Elmhurst College, Northeastern Illinois University, Backroom Shakespeare Project, and Edge of the Wood Theatre.

(She/They) is a Chicago based director, producer, casting diector,  and actor with a focus on creating and directing new work. She received her MFA in Acting and Directing from UMKC in 2022 and spent the following summer at Ojai Playwrights Conference. Other credits include The Coterie Theatre, Ensemble Stage, and Kansas City Repertory Theatre. Eileen is the Casting Director and a Producer for Redtwist's "Season of Pride", including the productions of The Normal Heart, Bottle Fly, The Totality of All Things, Twisted PlayFest, Titus Andronicus, and Gary.   In October 2024, Eileen directed the Jeff and Reader Recommended  World Premiere of Jacqueline Goldfinger's Bottle Fly at Redtwist Theatre.  In December, Eileen directed Man Cave by Caroline Kidwell for Twisted PlayFest. In Fall on 2025, Eileen is excited to direct Jen Silverman's Collective Rage: A Play In 5 Betties at Redtwist Theatre to kick of Redtwist's "Season of Femme"! Eileen’s interest currently is on artful collaboration within the play workshopping process and the directors role in new play development. 

eileendixon.com

(She/Her) is a Chicago-based playwright, director, and theater artist. Her plays include The Very Last Wedding On Earth (Impostors Theater,) Devotion (UIC,) No One Is From Here, and Basement History (Bramble Arts Loft; upcoming.) Recent directing include Passage (UIC) and Innogen (Forest Park Theater Co.) Ashley is delighted to be working with Redtwist for the first time and wishes to thank this wonderful company for making it a bloody good time! Follow her at @ashleyonstage and stay tuned for her staged reading of Basement History in August.